Winter 2025
$5.00 – $7.50
The winter 2025 cover features Winnipeg-based photographer, Glodi Bahati, the winner of our inaugural Feminist Photography Contest. Her project Framents of Self is a series of self-portraits that reflects on her experience as a refugee and the ways oppressive systems like patriarchy, white supremacy, and fatphobia shape self-perception. The honourable mention of the Contest goes to Daphne Boxill, who is also in the issue. Congratulations to both!
The winter issue includes a feature interview with the founder of Bitch Fest and an article following the journeys of Afghan women activists who fled to Pakistan after the Taliban took over.
There are also pieces covering news in Sudan, Indigenous leaders protesting Canadian mining, and a new project honouring the late Tina Fontaine.
As always, we also have plenty of book reviews to inspire, as well as art and film!
Description
Vol. 38 No. 4 (Winter 2025)
TABLE OF CONTENTS
Features
The Price of Fighting for Freedom
Following the journeys of Afghan women activists who fled to Pakistan after the Taliban took over Afghanistan, this article highlights their ongoing fight for women’s rights and education, despite facing violence and constant threats as refugees. Their stories serve as a powerful testament to persistence and resilience, as they continue to advocate for gender rights and liberation from an authoritarian regime.
by Molly Thomas
Bitch Fest Builds Community: In Conversation with Festival Founder Ashley Cachia
Ashley Cachia, founder of Toronto’s Bitch Fest, talks about her mission to create space for female, non-binary, trans, and Two-Spirit musicians in a male-dominated industry. Cachia discusses how Bitch Fest addresses gender inequality in festival lineups and supports emerging talent through inclusive programming. She emphasizes building a supportive community and moving away from nepotism and the “boys’ club” mentality.
by Rosie Long Decter
Fragments of Self: 2025 Feminist Photography Contest winner
In this series of self-portraits, the artist explores the fluidity of identity, reflecting on her experience as a refugee and the ways oppressive systems like patriarchy, white supremacy, and fatphobia shape self-perception. Her work confronts the fractured versions of herself created for survival and acceptance.
by Glodi Bahati
Blue Night with Julia: 2025 Feminist Photography Contest honourable mention
In this portrait, the artist captures a poignant moment of shared grief with her childhood friend, Julia, as they mourn the loss of Julia’s mother, Hope. The image reflects the artist’s exploration of identity and trauma, highlighting the emotional bond between the two women and the healing power of remembrance as they celebrate Hope’s life through a symbolic act.
by Daphne Boxill
Feminism Upfront
Bill to Target Online Abuse
Court Backs Afghan Women Seeking Asylum
Indigenous Leaders Protest Canadian Mining
Safe Haven Honours Tina Fontaine
News round-up by Penni Mitchell
Guest column
The Forgotten Women of Sudan
by Samah Nimir
Reviews
ART
Winyan by Lita Fontaine
Review by Summer Southernsky
FILM
Hair! by Sara Jade Alfaro-Dehghani
Review by Fateema Al-Hamaydeh Miller
BOOKS
Wheatley at 250: Black Women Poets Re-imagine the Verse of Phillis Wheatley Peters edited by Danielle Legros Georges and Artress Bethany White
Review by Evelyn C. White
Outspoken: My Fight for Freedom and Human Rights in Afghanistan by Sima Samar
Review by Penni Mitchell
[non]disclosure by Renée D. Bondy
Review by Eleni Vlahiotis
Believability: Sexual Violence, Media, and the Politics of Doubt by Sarah Banet-Weiser and Kathryn Claire Higgins
Review by Maddie Brockbank
Hatch: Poems by Jenny Irish
Review by Sylvia Santiago
Pixel Flesh by Ellen Atlanta
Review by Jillian Bell
Never Been Better by Leanne Toshiko Simpson
Review by Megan Kiyoko Wray
Coming into Being: Mothers on Finding and Realizing Feminism edited by Andrea O’Reilly, Fiona Joy Green, and Victoria Bailey
Review by Hollay Ghadery
Additional information
Issue Type | Print, Digital |
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