sexism

Beyoncé Giselle Knowles-Carter never ceases to amaze audiences. For nearly 20 years, she has consistently recreated herself, her music and her brand.

It is easy to forget that she began her career in 1998 at age of 16 as part of the girl group Destiny’s Child. Since then, she’s become one of the most recognized R&B/pop singers in the world—and one of the most critiqued. With each album, listeners delve into her creative subconscious, and her latest (sixth) solo project, Lemonade, is no exception.

Horror and feminism may seem like an unlikely pairing at first. After all, horror is a cinematic genre marked by ugly violence, menaced by masked men and packed with blonde sorority girls who run upstairs when they should be running out of the house. Then there’s the iconic image of the scary movie: the flash of a knife penetrating soft female flesh.

In 2007, 19-year-old Ashley Smith died in federal custody at the Grand Valley Institution for Women in Kitchener, Ontario.

Laura came to Canada from Mexico to work as a seasonal apple picker under the Temporary Foreign Worker Program. She fell on the job, and her legs were crushed by a tractor.

A generation ago, middle-class women grew up with the understanding that it was possible to have it all: healthy, well-adjusted children, successful careers and fulfilling personal relationships.

Describing the hipster is something you aren’t supposed to do. The mere mention of the fact that there are hipsters outs you as not being one.

The mirror has long been touted as a feminist symbol of liberation. For some women, it is a means of understanding identity, a path to empowerment, a vehicle for harnessing sexual awareness.

In Canada, more than two million informal caregivers, the majority of whom are women, provide care to elders.

It’s April 2011, and in the dark of a very small room about 70 people are watching porn together.